A small canvas — just 45 by 34 centimetres — holding an entire Vilnius spring: a girl, a bundle of verbos, and the light of Palm Sunday.
Kanutas Ruseckas studied in Vilnius, Paris and Rome — and came home with the eye of the Italian Romantics. Only the heroes of his paintings were not the gods of antiquity but ordinary people of Lithuania: reapers, peasant women, townsfolk.
Ruseckas painted the Lithuanian Girl in 1847 in Vilnius, by the Church of St Mary the Comforter on Savičiaus street. A young woman in light dress carries verbos — the famous Vilnius palm bouquets, woven to this day only here and nowhere else in the world.
The composition is as simple as an icon: a figure in profile, a soft silhouette, a calm step. The Romantic age idealised the common folk — and Ruseckas painted his Lithuanian girl almost like a saint, with a bundle of spring verbos in place of a halo.
In the mid-19th century, when Lithuania's name was being erased from the maps, an image like this was a quiet statement: here are our people, our customs, our feasts. Over time the painting became one of the most recognisable works of Lithuanian art — you'll find it in textbooks, on postcards and posters.
The most striking thing is that the painting is still alive: every Palm Sunday the same scene repeats in the streets of Vilnius — people carrying verbos. The canvas is nearly two hundred years old, and it is still about us.
The original hangs in the Vilnius Picture Gallery (Chodkevičiai Palace, Didžioji g. 4) — a branch of the Lithuanian National Museum of Art, among other works of 19th-century Vilnius art.
And on the last Sunday of every month, the permanent exposition is free.
Where to see it in person: Vilnius Picture Gallery · Vilnius